In ‘Global Fascisms,’ Over 50 Artists Tackle AI, Trump, and the Return of Authoritarian Politics
Julia Scher, Danger Dirty Data (1991), installation view of the show “I’ll be Gentle,” Pat Hearn Gallery, New York City. © VG Bild-Kunst, Bonn 2025, courtesy of the artist and Esther Schipper Berlin/Paris/Seoul In 2016, Josh Kline debuted “Unemployment,” a series that explored mass joblessness brought on by technology and automation, and the potential end …










