In the Whitney Biennial, Artists Explore the Horrifying Boundary Between Human and Machine
Installation view of Whitney Biennial 2026, from back to front: Pat Oleszko, “Blowhard,” 1995; Isabelle Frances McGuire, “Satan in America and Other Invisible Evils: Experiments in Public Sculpture (Witches 1–3),” 2026. Jason Lowrie/BFA.com As I stood in the Whitney Museum’s sixth-floor gallery for the opening of this year’s Biennial, I found the eye of a …
