What Made Marcel Duchamp’s Readymades So Revolutionary?
Alfred Stieglitz, Fountain by R. Mutt, 1917, published in The Blind Man (No. 2), edited by Marcel Duchamp, Henri-Pierre Roché, and Beatrice Wood, May 1917 Philadelphia Museum of Art When does something become a work of art? A canvas once it’s been painted? A block of marble once it’s been carved? For Marcel Duchamp (1887–1968), …
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